December, 1963 (Oh What A Night!) | TAB
You may be looking at the chords for the intro/verse and think “Those look like piano chords to me, you can’t play that on the guitar!” And you’d be right, it is piano chords and it would be (almost) impossible.
The guitar only plays a Db Major Pentatonic lick as the piano plays seemingly all the chords in the world.
However, if you play all those chords on just strings 2-4, ignoring the bass notes, it’s pretty easy. Let’s look at why.
- Db, Db/F, and Db/Ab (A shape) are the same chords.
- Ebm7 (Am shape) and Gb (C shape) are the same chords.
- Ab7sus2 and Ab11 (G shapes) are only different by one note.
What you’ll end up with is four chord shapes, although you do need a bass player at hand!
Here’s some TAB explaining a way to combine all these chords, including that guitar lick,
With this TAB idea, the chords, and lyrics for December, 1963 (Oh What A Night!), you should now be able to work out how to play this awesome tune.
December, 1963 (Oh What a Night!) TAB | Related Pages
December, 1963 (Oh What a Night!) | Chord + Lyrics
Learn how to play December, 1963 (Oh What a Night!) by Franki Valli using chords, lyrics, a chord chart, and the original recording.
| Db Ebm7 Db/F Gb | Gb Db/Ab Ab7sus2 Ab11 Ab7sus2 |
Oh, what a night. Late December back in ’63…
Five similar tunes | Chords + Lyrics
- Build Me Up Buttercup
- Can’t Take My Eyes Off You
- I Can’t Help Myself
- Love Train
- Young Hearts Run Free
Franki Valli and the Four Seasons tunes
The hugely successful musical Jersey Boys is based on the tunes by Franki Valli and the Four Seasons.
Hits include Sherry, Big Girls Don’t Cry, Silence Is Golden, Working My Way Back, December, 63 (Oh What a Night!), and Can’t Take My Eyes Off You.
Franki Valli and the Four Seasons on the web
About me | Dan Lundholm
This guitar lesson by Dan Lundholm featuring TAB covers December 1963 (Oh, What A Night!). Discover more about him and how you can learn guitar with Spytunes.
Most importantly, find out why you should learn guitar through playing tunes, not practising scales, and studying theory in isolation.